Monday, February 22, 2010

Growing Your Own in Hirakata

Matoba-san and Omura-san are relaxing in a vegetable garden near a busy Hirakata intersection, no further from a gaudy Pachinko complex than you can easily throw a small steel ball, as I introduce myself and blurt out a few polite phrases in broken Japanese. They kindly take the time to answer my questions, although they ask me not to take any close-ups of their faces.

Both men have lived in Hirakata all their lives and they say the town has changed a lot over the years. There are many new roads, many new houses. "Before, this whole neighbourhood was just fields," explains Matoba-san, a friendly- and robust-looking man in his early sixties.

They have been growing vegetables here for about ten years now and come down to the plot pretty much every day. The vegetables – cabbage, onions, beans, broccoli - are for their own households only.

"It’s just a hobby," says Matoba-san and looks over at his friend. “Something to kill time with at least,” he continues and they both laugh. When I passed by earlier, thinking of questions and working up the courage to approach them, they were also sitting down like they are now, each on his own blue stool, chatting and smoking, letting the garden take care of itself for a while. I get the feeling that clearing weeds is probably only one af many reasons for going there each day.

I want to know what their favourite vegetables are, but they just look at each other and chuckle. "Anything is fine!" declares Omura-san with a wave of his hand. His hair is less gray and he appears to defer a little to his friend. Perhaps this is actually Matoba-san's plot and Omura-san has the one next to it, it never occured to me to ask.

"Is it fun to work in the garden?" I throw out there while trying to think of something better. "Yes," answers Matoba-san, definitely the more talkative of the two. He stops to think. "People can betray you," he continues with a little smile. "But vegetables never do that."

They tell me that in Hirakata you can grow things in the garden more or less all-year round, which to me, coming from a cold Northern country, feels quite remarkable. My parents, eager gardeners themselves who can only work their garden from around April to October, would be very envious indeed.

Before I leave, Matoba-san picks a handful of lemons from the little tree they are sitting under and gives them to me as a parting-gift. When I look back before turning the corner, they are having a smoke again.

Wednesday, February 10, 2010

The Longing for Green in a Concrete World

When you come to Japan for the first time, you probably do so with a head full of of images of what it's going to be like. You might have seen some movies, some anime, some travel shows, you've heard stories. Initially, many of your expectations will be fulfilled, and abundantly so. When I came here for the first time a couple of years ago I was just as fascinated as anyone by the controlled chaos of places like Shibuya and Shinyuku in Tokyo, as well as by the serene beauty of the temples of Kyoto - if you can get there ahead of the other tourists.



These days though, while I still love the energy of the Susukino entertainment district in Sapporo (above) or the labyrinthine restaurant arcade near Osakas Umeda Station, when I put on my walking shoes and pick up my camera, I tend to go looking for another Japan - a Japan I didn't know anything about when I first came here. Everyday Japan, you might say.

A lot can be said about Japanese cities, but rarely can you honestly call them beautiful. While there's a lot of fascinating architecture, especially if you're into concrete like me, the overall impression tends to be of an ugly mass of cheaply produced buildings crowding in on each other, many of them in various states of disrepair, often with little or no space between houses and no sidewalks. Land is said to be very expensive and many people live in houses and apartments that to a Westerner appear tiny and cramped. Being able to have a garden is a real luxury. A luxury most people can't afford.



Still, the longing for green clearly remains very strong, even in these very urban environments. If you take a walk through some ordinary residential neighborhoods, the evidence is all around you. Some people go to great lengths to insert a bit of vegetation into their concrete and asphalt world. If there's no room for a normal garden, any available space will do, and potted plants are the preferred medium.


Some efforts seem mostly symbolic, like little cries of defiance against the confines of Japanese city space. But somehow those lonely plants tend to accentuate the lack of green, rather than alleviate it.




However, there are those who go all the way too, who certainly attempt to make their part of the city just a little bit greener. The results vary a lot in terms of what impact they make though. Often it seems to me that there is a certain lack of overall plan, and that quantity far surpasses quality on the list of priorities of many an ambitious urban gardener.



The last example above is one of my favorites so far, where the plants work together with the house and the surroundings, something that, in my opinion, is often not the case.

Some landowners make do with whatever space they can find between their houses and the edge of their property, but I have also noted that there is a lot of small-scale annexation of public land going on. Placing cinder blocks, stones or metal sheets across the ubiquitous drainage ditches here in Hirakata appears to be a favorite method for creating stable platforms for pots. Small tables and benches can work too. But sometimes these miniature gardens will just venture boldly out onto the street, daring anybody to complain. After hearing a lot about how strictly regulated Japanese neighborhoods can be, this has come as something of a surprise to me.



While this longing for a garden of your own isn't a specifically Japanese phenomenon - in my home country many city dwellers keep plants on their balconies for example - it does seem to me that the scarcity of land here, perhaps combined with some peculiarities in the Japanese attitude towards gardens that is still hidden to me, has unleashed a particular kind of creativity that I look forward to exploring further in future.